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<channel>
	<title>proundesign</title>
	<link>http://www.proundesign.com</link>
	<description>proundesign</description>
	<pubDate>Sat, 11 Feb 2012 16:04:38 +0000</pubDate>
	<generator>http://www.proundesign.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Fort McHenry, Archeology Exhibit</title>
		<link>http://proundesign.com/Fort-McHenry-Archeology-Exhibit</link>
		<comments>http://proundesign.com/following/proundesign.com/Fort-McHenry-Archeology-Exhibit</comments>
		<pubDate>Sat, 11 Feb 2012 16:04:38 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphic design]]></category>

		<guid isPermaLink="false">2788835</guid>
		<description>Baltimore, MD
Exhibit Design and Fabrication: Mystic Scenic Studios, Inc.
Content Development: Ed Rodley
Exhibit Graphics: proun

The British bombardment of Fort McHenry during the War of 1812 inspired Francis Scott Key to pen the "Star Spangled Banner". 200 years later, fragments from this war and the fort's past are on display in a new exhibit highlighting artifacts from archeological digs carried out over the last several decades. From cannon ball shards to uniform buttons, bayonets to animal bones, clay pipes to medicine bottles, these fragments reveal glimpses into daily life at the fort.

Inspired by the archeologists' documentation and field notes, proun designed a system of graphic panels to complement the displays with clarity and elegance.
&#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/10147-baltimore-fort-mchenry_640.jpg" border="0" width="640" height="422" width_o="864" height_o="570" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/10147-baltimore-fort-mchenry_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC_flag_640.jpg" border="0" width="640" height="427" width_o="864" height_o="577" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC_flag_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC22_MR_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC22_MR_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC26_MR_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC26_MR_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC37_MR_640.jpg" border="0" width="640" height="494" width_o="2048" height_o="1583" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC37_MR_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC40_MR_640.jpg" border="0" width="640" height="956" width_o="2048" height_o="3059" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC40_MR_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC44_MR_640.jpg" border="0" width="640" height="956" width_o="2048" height_o="3059" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC44_MR_o.jpg" align="left" /&#62; &#60;img src="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC60_MR_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload24.cargocollective.com/1/0/25202/2788835/FOMC60_MR_o.jpg" align="left" /&#62; 

</description>
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	</item>
		
		
	<item>
		<title>Fort Adams </title>
		<link>http://proundesign.com/Fort-Adams</link>
		<comments>http://proundesign.com/following/proundesign.com/Fort-Adams</comments>
		<pubDate>Mon, 23 Jan 2012 20:25:52 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphic design]]></category>

		<guid isPermaLink="false">2660194</guid>
		<description>Architectural Master Plan: Ann Beha Architects
Interpretive Master Plan: object&#124;IDEA
Interpretive Design: Wondercabinet Interpretive Design, Inc.
Exhibit Graphics: proun
Opening: 2012

Fort Adams in Newport, Rhode Island, was established on July 4, 1799 as a First System coastal fortification. It was first garrisoned in August 1841, functioning as an active Army post until 1950. During this time the fort was active in five major wars (the Mexican-American War, American Civil War, Spanish-American, World War I and World War II) but never fired a shot in anger.

A series of graphic panels designed by proun, complement existing Waysides and interpret some of the innovative features of the fort's design, life at the fort, and the impact of the fort on the surrounding community.

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	</item>
		
		
	<item>
		<title>Slave and Tenant Farmers Quarters</title>
		<link>http://proundesign.com/Slave-and-Tenant-Farmers-Quarters</link>
		<comments>http://proundesign.com/following/proundesign.com/Slave-and-Tenant-Farmers-Quarters</comments>
		<pubDate>Mon, 09 Jan 2012 14:53:59 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphics]]></category>

		<guid isPermaLink="false">2570683</guid>
		<description>Hampton National Historic Site
Exhibit Design: Wondercabinet Interpretive Design, Inc.
Exhibit Graphics: proun
Exhibit Fabrication: Mystic Scenic Studios, Inc.
Design/Build Budget: $200,000

At it's peak in the early 1800s, Hampton Estate had over 300 slaves, more than any other plantation in Virginia. Interpretive graphics and hands-on interactives direct visitors’ attention to the extraordinary details that seemed ordinary 200 years ago—the deprivation of personal liberty and a person’s value based solely on their ability to work. 

The graphic aesthetic for the historic structures exhibits reflect the oppressed life styles of the people that lived there. A limited color palette and sans serif fonts set justified reference their stifled existence. Information is displayed in a very direct, dispassionate and analytical format to emphasize the loss of individual identity. Where ever possible, photos of real people from the Hampton archives are used to allow for maximum emotional connection with the visitors. Illustrations are used as needed but will appear as black and white or sepia tones, adding to the sense of anonymity. In contrast, first person accounts set in script text reflect the individual behind the quote.
&#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1232_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1232_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1249_640.jpg" border="0" width="640" height="853" width_o="2048" height_o="2730" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1249_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1279_640.jpg" border="0" width="640" height="853" width_o="2048" height_o="2730" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1279_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1286_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1286_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1289_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1289_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1291_640.jpg" border="0" width="640" height="853" width_o="2048" height_o="2730" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1291_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1295_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1295_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1297_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1297_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1298_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1298_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1311_640.jpg" border="0" width="640" height="853" width_o="2048" height_o="2730" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1311_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1318_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1318_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1322_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1322_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1325_640.jpg" border="0" width="640" height="853" width_o="2048" height_o="2730" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1325_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1328_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1328_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1332_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1332_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1222_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1222_o.jpg" align="left" /&#62; &#60;img src="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1333_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload13.cargocollective.com/1/0/25202/2570683/IMG_1333_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Buffalo Bill Historic Center</title>
		<link>http://proundesign.com/Buffalo-Bill-Historic-Center</link>
		<comments>http://proundesign.com/following/proundesign.com/Buffalo-Bill-Historic-Center</comments>
		<pubDate>Sat, 05 Nov 2011 16:50:50 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphics]]></category>

		<guid isPermaLink="false">2257228</guid>
		<description>Cody, Wyoming
Exhibit Design: N.B. Paffett Associates, Inc.
Exhibit Graphics: proun
Area: 10,000 sf

Who didn't grow up playing cowboys and indians? Buffalo Bill, Chief Sitting Bull, Annie Oakley . . . if it weren't for the entrepreneurial genius of William F. Cody, these names would be lost in obscurity and our heroes may well have been Oliver Twist and the Artful Dodger.

William F. Cody was Buffalo Bill—a showman and a businessman. But he was also a scout for the U.S. military, a pony express rider, a bison hunter, a trapper, a guide, rancher, hotelier, and husband among other things. Best known for the Wild West Show that entertained millions across the country and even in Europe, his reenactments of Custer's Last Stand solidified the world's perception of the American Wild West.

N. B. Paffett Associates, Inc. was contracted to lead the design of the new exhibits interpreting the life and times of William F. Cody. proun developed the overall graphic aesthetic for the in-house design staff to implement. Typography inspired by show posters and colors informed by Frederick Remington’s ethereal impressions of the West flavor the visual interpretation of the subject and complement­ the original artwork, photos, and artifacts in the collection. The fonts for the exhibit graphics have been selected for their legibility and a character that reflects Cody’s personality. The Thesis family has it’s roots in the woodcut fonts of 19c posters and projects strength and confidence. Conversely, Atma is modeled after old style fonts such as Garamond and Caslon and provides a human touch. Atma will be used exclusively for quotes by Cody.

Below, studies show the development of the graphic aesthetic for the new permanent exhibits.

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		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>North Carolina Museum of History</title>
		<link>http://proundesign.com/North-Carolina-Museum-of-History</link>
		<comments>http://proundesign.com/following/proundesign.com/North-Carolina-Museum-of-History</comments>
		<pubDate>Wed, 02 Nov 2011 01:36:41 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphics]]></category>

		<guid isPermaLink="false">2238727</guid>
		<description>Exhibit Design: Christopher Chadbourne Associates, Inc.
Exhibit Graphics: proun
Exhibit Fabrication: 1220 Exhibits, Inc
Design/Build Budget: $5.6m
Size: 21,000 sf

The history of North Carolina has lessons for the entire country. Rich in natural resources, the state’s plains, piedmont, and mountains attracted habitation over many centuries. This new exhibit chronicles human existence in this region from the ancient peoples to the influx of the Scotts/Irish and other Europeans to present day. Agriculture, industry, slavery, war, and politics are among the topics covered in exhibits rich with artifacts and media.

proun was contracted by CCA to develop the graphics for the exhibits. The exhibits blend iconic elements such as a log cabin, farm and industrial equipment, and military artifacts with scenic recreations and period graphics. Interactive exhibits provide hands-on interpretation throughout the experience. Elegantly understated graphics infuse content in a consistent format while carefully coordinated color palettes signal change in content and tone from one chapter to the next. 

Photos: Christopher Chadbourne
&#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0284_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0284_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0292_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0292_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0295_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0295_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0299_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0299_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0318_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0318_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0384_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0384_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0385_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0385_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0388_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0388_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0412_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0412_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0426_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0426_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0457_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0457_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0439_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/DSC_0439_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/Jim crow_sm_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/Jim crow_sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/ModernAge_sm_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/ModernAge_sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/Recon_1_sm_640.jpg" border="0" width="640" height="424" width_o="720" height_o="478" src_o="http://payload.cargocollective.com/1/0/25202/2238727/Recon_1_sm_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/NCMoH3.jpeg" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/25202/2238727/NCMoH3_o.jpeg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/NCMoH2.jpeg" border="0" width="640" height="480" width_o="640" height_o="480" src_o="http://payload.cargocollective.com/1/0/25202/2238727/NCMoH2_o.jpeg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/Core_Blackbeard.jpg" border="0" width="450" height="299" width_o="450" height_o="299" src_o="http://payload.cargocollective.com/1/0/25202/2238727/Core_Blackbeard_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/09 Axial color studies_640.jpg" border="0" width="640" height="239" width_o="1635" height_o="612" src_o="http://payload.cargocollective.com/1/0/25202/2238727/09 Axial color studies_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/10.02 Secession Theater_640.jpg" border="0" width="640" height="219" width_o="1339" height_o="459" src_o="http://payload.cargocollective.com/1/0/25202/2238727/10.02 Secession Theater_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/NCMoH Reconstruction_640.jpg" border="0" width="640" height="239" width_o="1392" height_o="520" src_o="http://payload.cargocollective.com/1/0/25202/2238727/NCMoH Reconstruction_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/11.0 Wilmington_640.jpg" border="0" width="640" height="277" width_o="1590" height_o="690" src_o="http://payload.cargocollective.com/1/0/25202/2238727/11.0 Wilmington_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/13.02 WWI_640.jpg" border="0" width="640" height="384" width_o="1519" height_o="912" src_o="http://payload.cargocollective.com/1/0/25202/2238727/13.02 WWI_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2238727/13.04 WWII_640.jpg" border="0" width="640" height="442" width_o="677" height_o="468" src_o="http://payload.cargocollective.com/1/0/25202/2238727/13.04 WWII_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Fort Davis NHS-Post Hospital</title>
		<link>http://proundesign.com/Fort-Davis-NHS-Post-Hospital</link>
		<comments>http://proundesign.com/following/proundesign.com/Fort-Davis-NHS-Post-Hospital</comments>
		<pubDate>Sun, 02 Oct 2011 16:08:14 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphic design]]></category>

		<guid isPermaLink="false">2087646</guid>
		<description>Exhibit Design: Wondercabinet Interpretive Design, Inc.
Exhibit Graphics: proun
Exhibit Fabrication: Mystic Scenic Studios, Inc.
Opening: 2012

Nobody likes going to the hospital. But imagine getting sick or injured in the late-1800s when standard treatments for ailments included mercury, arsenic, and strychnine and the instruments in the doctor's bag had an unsettling resemblance to the tools in your dad's garage!

proun, in collaboration with Wondercabinet Interpretive Design and Mystic Scenic Studios has designed exhibits interpreting state-of-the-art medical technology at a Civil War era hospital in Fort Davis, Texas. Interpretive panels feature profiles of five patients that spent time in the post hospital.Their stories are told over successive panels and entice visitors to the Post Hospital building across the compound. Once there, visitors can find out how these patients fared and, through simple interactive exhibits, try their own hand at diagnosing treatments.

The graphics for the Post Hospital exhibits draw on the vernacular of medical catalogs and packaging of the mid-19th century. Panel shapes with the rounded shoulders and tapered sides of medicine bottles along with Victorian type treatments reference the visual language of an apothecary. The color palette is restrained, mostly black and white, with accents drawn from the surrounding natural landscape and man-made structures.

&#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/FODA_ext1_640.jpg" border="0" width="640" height="429" width_o="965" height_o="648" src_o="http://payload.cargocollective.com/1/0/25202/2087646/FODA_ext1_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/FODA_ext2_640.jpg" border="0" width="640" height="429" width_o="965" height_o="648" src_o="http://payload.cargocollective.com/1/0/25202/2087646/FODA_ext2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/Commander-s Porch_comp_640.jpg" border="0" width="640" height="429" width_o="2048" height_o="1374" src_o="http://payload.cargocollective.com/1/0/25202/2087646/Commander-s Porch_comp_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/Hosp_path_640.png" border="0" width="640" height="448" width_o="853" height_o="598" src_o="http://payload.cargocollective.com/1/0/25202/2087646/Hosp_path_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/Hosp_Porch_640.png" border="0" width="640" height="448" width_o="853" height_o="598" src_o="http://payload.cargocollective.com/1/0/25202/2087646/Hosp_Porch_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/Doorway comp 2_640.jpg" border="0" width="640" height="931" width_o="1926" height_o="2802" src_o="http://payload.cargocollective.com/1/0/25202/2087646/Doorway comp 2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/Intro Rail_640.png" border="0" width="640" height="388" width_o="1252" height_o="760" src_o="http://payload.cargocollective.com/1/0/25202/2087646/Intro Rail_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/FODA Interp Panel_640.png" border="0" width="640" height="639" width_o="707" height_o="706" src_o="http://payload.cargocollective.com/1/0/25202/2087646/FODA Interp Panel_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/Intro_panel.png" border="0" width="463" height="715" width_o="463" height_o="715" src_o="http://payload.cargocollective.com/1/0/25202/2087646/Intro_panel_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/ artifact_640.png" border="0" width="640" height="392" width_o="865" height_o="531" src_o="http://payload.cargocollective.com/1/0/25202/2087646/ artifact_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/WOM_640.png" border="0" width="640" height="627" width_o="707" height_o="693" src_o="http://payload.cargocollective.com/1/0/25202/2087646/WOM_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/WOM_dwg2_640.png" border="0" width="640" height="439" width_o="860" height_o="591" src_o="http://payload.cargocollective.com/1/0/25202/2087646/WOM_dwg2_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/YouBeDr_rail_640.png" border="0" width="640" height="251" width_o="1490" height_o="586" src_o="http://payload.cargocollective.com/1/0/25202/2087646/YouBeDr_rail_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/YouBeDr_dwg_640.png" border="0" width="640" height="622" width_o="1008" height_o="980" src_o="http://payload.cargocollective.com/1/0/25202/2087646/YouBeDr_dwg_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2087646/FODA GR refs_640.png" border="0" width="640" height="414" width_o="1114" height_o="722" src_o="http://payload.cargocollective.com/1/0/25202/2087646/FODA GR refs_o.png" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Slide Rules and the Making of the Modern World</title>
		<link>http://proundesign.com/Slide-Rules-and-the-Making-of-the-Modern-World</link>
		<comments>http://proundesign.com/following/proundesign.com/Slide-Rules-and-the-Making-of-the-Modern-World</comments>
		<pubDate>Sat, 24 Sep 2011 02:33:38 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit design, exhibit graphics]]></category>

		<guid isPermaLink="false">2049216</guid>
		<description>MIT Museum
Exhibit Design: proun
Graphic Production: Sarah Kusuma
Exhibit Fabrication: Aries Custom Works, Inc.
Graphic Fabrication: Advanced Digital
Budget: $7.5k

Look around you. Anything built before the advent of the calculator was probably designed with the aid of a slide rule. Invented around 1620, slide rules have been used by engineers, architects, tradesmen, doctors, scientists, dieticians, designers and many more to calculate everything from concrete to confections and from nuclear blasts to your child's IQ. 

proun worked with the Debbie Douglas and the MIT Museum staff to design an exhibit that showcases their vast collection of vintage and rare slide rules. Bold, direct typography and a simple color palette allow the collection to stand on it's own.

&#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/SR5_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2049216/SR5_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/SR3_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2049216/SR3_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/SR2_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2049216/SR2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/SR4_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2049216/SR4_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/SR9_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2049216/SR9_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/MIT SR1.png" border="0" width="399" height="841" width_o="399" height_o="841" src_o="http://payload.cargocollective.com/1/0/25202/2049216/MIT SR1_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/MIT SR2.png" border="0" width="394" height="846" width_o="394" height_o="846" src_o="http://payload.cargocollective.com/1/0/25202/2049216/MIT SR2_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/MIT SR3_640.png" border="0" width="640" height="309" width_o="1161" height_o="562" src_o="http://payload.cargocollective.com/1/0/25202/2049216/MIT SR3_o.png" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/SR10_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2049216/SR10_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2049216/A20805_pro_640.jpg" border="0" width="640" height="667" width_o="1296" height_o="1352" src_o="http://payload.cargocollective.com/1/0/25202/2049216/A20805_pro_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>Kerouac's Lowell</title>
		<link>http://proundesign.com/Kerouac-s-Lowell</link>
		<comments>http://proundesign.com/following/proundesign.com/Kerouac-s-Lowell</comments>
		<pubDate>Wed, 21 Sep 2011 23:45:42 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit design, exhibit graphics]]></category>

		<guid isPermaLink="false">2038630</guid>
		<description>Lowell National Historical Park
Exhibit Design: proun
Fabrication: Mystic Scenic Studios, Inc.
Budget: 20k

Beat icon, Jack Kerouac, was born to a French Canadian family in Lowell, MA in 1922. His early writings are filled with the influences of this former industrial town—it's canals, bridges, mills, and churches made a lasting impression on this major American author. As a young writer, Kerouac set out to discover himself and the world around him. The result was over 30 books and publications, the most famous of which, On the Road, became an anthem to a post-war generation in search of identity.

proun designed a permanent exhibit on Kerouac in the form of a richly layered triptych road map that gives a brief overview of his life and orients visitors to points of interest including his childhood home, the Grotto of Our Lady of Lourdes, and his grave site in Kerouac Park. A listening station provides access to Kerouac readings and commentary. 

&#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_1_640.jpg" border="0" width="640" height="445" width_o="2048" height_o="1426" src_o="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_1_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_5_640.jpg" border="0" width="640" height="991" width_o="2048" height_o="3172" src_o="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_5_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_6_640.jpg" border="0" width="640" height="956" width_o="2048" height_o="3059" src_o="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_6_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_3_640.jpg" border="0" width="640" height="754" width_o="2048" height_o="2415" src_o="http://payload.cargocollective.com/1/0/25202/2038630/KerouacVC_3_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/beats_mexicocity_fade_HR_640.jpg" border="0" width="640" height="1043" width_o="2048" height_o="3339" src_o="http://payload.cargocollective.com/1/0/25202/2038630/beats_mexicocity_fade_HR_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/D3_105_smith_burroughs_HR_640.jpg" border="0" width="640" height="427" width_o="2048" height_o="1366" src_o="http://payload.cargocollective.com/1/0/25202/2038630/D3_105_smith_burroughs_HR_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2038630/F2_096_Dylan_ginsberg_regan_HR_640.jpg" border="0" width="640" height="420" width_o="2048" height_o="1345" src_o="http://payload.cargocollective.com/1/0/25202/2038630/F2_096_Dylan_ginsberg_regan_HR_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>MIT Ocean Engineering Timeline</title>
		<link>http://proundesign.com/MIT-Ocean-Engineering-Timeline</link>
		<comments>http://proundesign.com/following/proundesign.com/MIT-Ocean-Engineering-Timeline</comments>
		<pubDate>Sun, 18 Sep 2011 23:01:32 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit design]]></category>

		<guid isPermaLink="false">2022023</guid>
		<description>Exhibit Design: proun
Content Development: Sean Hooley
Fabrication: WB, Inc.
Size: 50 linear feet
Budget: $18.5k
Opened: 2011

In the late 1800s, the expansion of the US Navy and growing complexity of shipbuilding led to the creation of the Naval Architecture program at MIT. Since then, it has evolved to address the ever-increasing technological demands as the world turns to the oceans for energy, food, minerals, defense, and transportation.

proun worked with the Director of the Ocean Engineering program to develop a simple, direct, and elegant display that provides and overview of the outstanding achievements of this program.

&#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/MIT OE med left2_640.jpg" border="0" width="640" height="477" width_o="2048" height_o="1526" src_o="http://payload.cargocollective.com/1/0/25202/2022023/MIT OE med left2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/MIT OE med right2_640.jpg" border="0" width="640" height="464" width_o="2048" height_o="1484" src_o="http://payload.cargocollective.com/1/0/25202/2022023/MIT OE med right2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/MIT OE close up_640.jpg" border="0" width="640" height="428" width_o="2048" height_o="1370" src_o="http://payload.cargocollective.com/1/0/25202/2022023/MIT OE close up_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/AUV 5550136269_fc9b2476e4_o_640.jpg" border="0" width="640" height="480" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/0/25202/2022023/AUV 5550136269_fc9b2476e4_o_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/9 A and B copy_640.jpg" border="0" width="640" height="624" width_o="1052" height_o="1026" src_o="http://payload.cargocollective.com/1/0/25202/2022023/9 A and B copy_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/Hovgrd2_640.jpg" border="0" width="640" height="384" width_o="946" height_o="569" src_o="http://payload.cargocollective.com/1/0/25202/2022023/Hovgrd2_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/2022023/0856909_640.jpg" border="0" width="640" height="525" width_o="2048" height_o="1680" src_o="http://payload.cargocollective.com/1/0/25202/2022023/0856909_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

	</item>
		
		
	<item>
		<title>White House Visitor Center-Kids</title>
		<link>http://proundesign.com/White-House-Visitor-Center-Kids</link>
		<comments>http://proundesign.com/following/proundesign.com/White-House-Visitor-Center-Kids</comments>
		<pubDate>Mon, 04 Jul 2011 19:32:23 +0000</pubDate>

		<dc:creator>proundesign</dc:creator>
		
		<category><![CDATA[exhibit graphic design]]></category>

		<guid isPermaLink="false">375613</guid>
		<description>Washington, D.C.
Exhibit Design and Fabrication: Mystic Scenic Studios
Exhibit Graphics: proun
Opened: 2011

How would YOU like to grow up in the White House? 

This exhibit at the White House Visitor Center engages a young audience and provides insight into daily life in the nation’s most famous and least understood household. Visitor’s learn about who lived there, how they entertained, and what influences they had on the building and surrounding landscape.

Silhouettes of selected Presidents are accompanied by clues as to who they are. 
Did you guess correctly? Stamp your card at the embossing station for the answer.
&#60;img src="http://payload.cargocollective.com/1/0/25202/375613/WHVC 1_640.jpg" border="0" width="640" height="296" width_o="2048" height_o="947" src_o="http://payload.cargocollective.com/1/0/25202/375613/WHVC 1_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/375613/WHVC 5_640.jpg" border="0" width="640" height="1016" width_o="1623" height_o="2579" src_o="http://payload.cargocollective.com/1/0/25202/375613/WHVC 5_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/375613/WHVC 3_3_640.jpg" border="0" width="640" height="750" width_o="1500" height_o="1760" src_o="http://payload.cargocollective.com/1/0/25202/375613/WHVC 3_3_o.jpg" align="left" /&#62; &#60;img src="http://payload.cargocollective.com/1/0/25202/375613/WHVC 6_640.jpg" border="0" width="640" height="640" width_o="1579" height_o="1579" src_o="http://payload.cargocollective.com/1/0/25202/375613/WHVC 6_o.jpg" align="left" /&#62; </description>
		<wfw:commentRss></wfw:commentRss>

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